Title: Osage Consultants Reflect on the Portrayal of Osage People in Scorsese’s Killers of the Flower Moon
In anticipation of the upcoming release of Martin Scorsese’s “Killers of the Flower Moon,” Osage consultants who worked on the film are sharing their thoughts on its portrayal of the Osage people. The movie, based on David Grann’s book, delves into the targeted murders of wealthy Osage people in 1920s Oklahoma.
One of the consultants, Christopher Cote, an Osage language consultant, praised Scorsese for representing their people in the film. However, he expressed his desire for the story to focus more on the perspective of the character Mollie Burkhart, whose experiences were central to the historical events. Cote felt that the film’s emphasis on Ernest Burkhart, played by Leonardo DiCaprio, overshadowed the unique experiences of the Osage people.
Cote also raised questions about the film’s intended audience. He noted that while “Killers of the Flower Moon” serves as an opportunity for a wider audience to reflect on issues of racism and complacency, it was not specifically made for the Osage community.
Another Osage language consultant, Janis Carpenter, had mixed feelings about the film. She appreciated its celebration of Osage culture, but found certain aspects to be challenging to watch. Nevertheless, both filmmakers Scorsese and writer Eric Roth have expressed their commitment to accurately portraying the history and honoring the Osage people.
Chief Geoffrey Standing Bear of the Osage Nation initially had concerns when he learned that the film rights had been sold. However, he was reassured by Scorsese’s dedication and the involvement of Osage experts. Standing Bear acknowledged that their input was instrumental in ensuring an authentic representation of the community.
“Killers of the Flower Moon” is set to release in theaters on October 20th, eagerly anticipated by fans of Scorsese’s work and those interested in exploring this dark chapter of American history. As the Osage consultants continue to reflect on the film’s portrayal, audiences await the opportunity to learn more about the targeted murders and the resilience of the Osage people.
In conclusion, “Killers of the Flower Moon” presents a crucial opportunity for wider audiences to engage with issues of racism and complacency, while also shining a light on the historical experiences of the Osage people. As consultants Cote and Carpenter share their thoughts, it becomes clear that the film has sparked important conversations about representation and storytelling.
